Using his unique technological style, Jay Kaes has brought the spirit of Arthur Wharton to life in the mural using a stunning blend of photo realism and his own contemporary art. To the keen eye, the two storey mural holds reference to the colours of Darlington FC, the Ghanaian flag and two of Wharton’s prestigious awards, the Prince Hassan Pacha and Cleveland Challenge Cup. Over the three days it took to complete the mural, the artwork has already captured the attention and imagination of local residents and the Foundation feel with the recent Black Lives Matter protests during lockdown there has never been a more significant time for black historical figures like Arthur Wharton to be highlighted with such a fitting tribute.
WORLD’S FIRST BLACK PROFESSIONAL FOOTBALLER
ARTHUR WHARTON
Arthur Wharton was a spectacular goalkeeper of his time; not only was he the world’s first professional black football player but he also holds the record as the world’s first fastest man on the planet. As we celebrate Black History Month, a very special mural by street artist Jay Kaes of this iconic sports figure has been unveiled in tribute to the 155th anniversary of Arthur Wharton which takes place on October 28th. The mural, commissioned by BT Sports is located on the Arthur Wharton Foundation Centre in Darlington, where Wharton kickstarted his football career back in 1885.
Shaun Campbell, Founder of the Arthur Wharton Foundation says ‘What a wonderful experience working with someone who has such passion and who took on board the full responsibility of the of what this piece represents. As an artist, Jay Kaes recognises what an honour it is to paint this sporting icon, he has created an iconic and historical work of art that is already resonating with a wide audience and will continue to resonate for years to come’.
‘This mural was an amazing opportunity for me to engage with the community where I was painting and create a positive message on integration and self-strength with the help of BT Sports and the Arthur Wharton Foundation.’
Jay Kaes
